Reading (by Rating)

Rarely any small plot points that left me dreading their resolution; always forward momentum on the plot, even when time-jumping back to see another perspective. Fun world-building, great characters, but some really tough emotions at the end (as often in a Kay book).

Getting a bit deeper into the Arthurian connections now. Definitely enjoying the series vs. book plot separation; doesn’t feel like too many intentionally broken plotlines. Love the plot twists and turns and the constant progression forward on top of the worldbuilding!

Great resolution to the trilogy. It feels like every character got a great wrap-up, some happier than others, and the consistent threads throughout finalized wonderfully. Couldn’t put it down the last half or so.

Somehow the ending of this book made me truly feel for a side character we spent absolutely no time on. A wonderful look at decades-long cascading effects in a truly interesting setting and story.

I’m finding the best part of the author’s writing is the room to breathe and establish ideas and inferences myself without being bashed over the head with the conclusion. From start to finish the first of this two-part series let me soak up the rich world-building and amusing characters. The time-jumps were a bit unexpected, but helped set the stage, and I can’t believe I moderately care about chariot racing.

The back half of this novel really kept me on my toes; I couldn’t predict at all where we were going, and I loved it. As I’m finding more and more reading his back catalog, Kay’s ability to pull at emotional threads is unmatched; I’m sympathizing with the protagonists and antagonists alike!

Solid, unpredictable, interesting world building and plot. An absolute joy of a novel and a great introduction to a new series.

I was a bit disappointed by the last Kay novel, but this one is a return to form. I love how well we marinate in the culture; not a lot happens, but a lot happens. The political machinations were a fun departure from the normal Kay experience of a character out of their element, though of course the protagonist here can mostly claim that to be the case.

I loved the hints throughout of the impact of the actions as perceived a few hundred years later; really a fun way to contextualize the actions in the novel. Great amount of foreshadowing, and a very satisfying array of opinions of characters. Another killer Kay novel.

This was an interesting one. A lot of disconnected and reconnected plot lines that danced around each other but never quite melded. Still a solid Kay novel and really quite interesting to see the post-Sarantine world affairs

Surprisingly difficult to jump back into this series. After orienting myself, I enjoyed the pace and the action – and always the worldbuilding – but the story felt like it ended before it began. Perhaps we’ve reached the end of where Murderbot can go.

Consistently entertaining and unpredictable. Continuing the world building behind the Kings is interesting, and the different side-characters didn’t feel hollow. It does feel like the plot is elongated a bit too far, but I don’t mind.

After reading several of Kay’s novels in a row, this one felt like the rare miss. I enjoyed the story and world building, but it didn’t feel like I built up or resolved anything. It was kind of a glimpse into the life, not really a well-unified epic story. I did enjoy the long-term impact of The Sarantine Mosaic in some side conversation of characters in the book.

The world is so rich and interesting, and the added viewpoint really helps sell the expanded world. I wish I could say I was surprised by the ending, but it was projected from the beginning and without it the next book wouldn’t be possible.

There’s something interesting here, at least at the core. The world building is unique and I think can best be described as cribbing some good tropes and combining them together well. I feel like it’s probably 30% longer than needed, but at least reasonably unpredictable. The thing I dislike the most is the constant discussion of the long-future-from-this-novel state of the narrator. It’s good that it’s wrapping up loose ends (“and I never saw them again” after a chapter, e.g.) but it’s hard that it’s projecting some weird future state (look how awful I made the galaxy). I’m torn, really, but erring on the side of liking it more than I expected from the beginning.

The deus ex machina was a little much here, but also clearly not necessary from a plot perspective, so I can overlook it at least a little bit. I guess I can see how it paves the road ahead, but I am really stuck on it. I think the plot expansion was useful and enjoyable and I’m looking forward to the next book as we expand more into the Empire itself.

A fun but minor side story in the Fionavar Tapestry world. Happy to enjoy it, but a little outside of the things I find most satisfying in a Kay novel: a plot that lasts longer than a few days. Felt a lot more stretched out than it needed to be, and I never really doubted where the ending was going to be.

Full of tried-and-true retellings of the stories you’d expect, I felt like you could read Skunkworks or Creativity, Inc., and walk away with a better impression of the effective performance of some of the referenced companies.